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William Henry Jackson

On October 27, 2010, in Biographies, by admin
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William Henry Jackson was one of the first generation nature photographers. His famous photographs of the American West not only enthralled the people of his time but have become important documents of history. He was also an explorer who traveled far and wide to document the flora and fauna of the then wild America.

William Henry Jackson was born on April 4, 1843 in Keeseville, New York. He was passionate about painting from a very young age and by the time he turned 19, he was already a skillful painter. He joined the Company K of the 12th Vermont Infantry of the Union Army during the Civil War as a private. Though he took part in the all important Battle of Gettysburg, he did not actually get to the field duty. He spent this time sketching his fellow soldiers and the scenes from the army camps.

In 1866, Jackson, along with his brother Edward traveled west to Omaha and settled there. He took up the business of photography. To the American Indians he acted as a missionary and here he made some of his most memorable documentation, photographing the American Indians like the Otoes, Pawnees, Osages, Omahas and Winnebagos.

Jackson’s nature photography got a boost when he was commissioned by the Union Pacific Railroad to photograph the scenery along the various routes for promotional job. This job came to the notice of Ferdinand Hayden, the man who was preparing for exploring the Yellowstone region. In 1870, Jackson was inducted into the US government survey team for the Yellowstone River and Rocky Mountains. As a photographer of a survey team, Jackson got to photograph many regions for the first time ever and these regions came to the notice of people for the first time also. His pictures played a very important role in the declaration of the Yellowstone National Park as the first National Park of United States.

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In those days the cameras were heavy and the development had to be made onsite. So he had to travel with a team of about 5 to 7 people. His famous pictures included those of the Grand Tetons, the famous Old Faithful and the Mount of the Holy Cross. Jackson later worked for several railroad companies. He established his own company in Denver. Colorado and some of his works are displayed at the Library of Congress.

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On October 26, 2010, in Uncategorized, by admin
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Walker Evan was an American photographer. His most remarkable work has been that on the Great Depression which he did for Farm Security Administration or the FSA. Many of these photographs, taken on a large format 8×10 inch, camera are still on display at various museums and were shown in retrospectives at The George Eastman House and The Metropolitan Museum of Art.

Walker Evans was born on November 13, 1903 at St. Louis, Missouri and graduated from Phillips Academy, Andover, Massachusetts. He later went on to study French Literature at Williams College and dropped out without completing the full term. He later went to Paris and after spending a year he joined the literary people in the New York City and was friends with John Cheever, Lincoln Kirstein and Hart Crane.

Evans started photography at around 1928 and in 1933 he got an assignment to work in Cuba for Carleton Beals’ book The Crime of Cuba. He photographed the revolt against the dictator Gerardo Machado. Evan spent two months in 1938 photographing in West Virginia and Pennsylvania for a fixed-term photographic campaign on behalf of the Resettlement Administration. He later on worked for FSA in the Southern States of America.

In 1936, Evans and writer James Agee were assigned by Fortune magazine for a feature on Hale County, Alabama but it was not printed. However, the whole job was published as a book called Let Us Now Praise Famous Men. It was a moving portrait of rural poverty which they got to capture on their stay with three white tenant families during their assignment. These families captured on print by Evans and Agee became the icons of the Depression era misery and Fortune even came back to them for their 75th anniversary issue.

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1938 was the year when The Museum of Modern Art held an exhibition of Evans’ works and this was also the first exhibition based on the work of a single photographer by the Museum. This year also saw Evans taking photographs in the New York subway with a hidden camera. These were published in a book called Many are Called. In 1945 he became a staff writer for Time magazine and later an editor with the Fortune in 1965 and also a professor of photography at the Yale University School of Art. He passed away in 1975.

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Steve McCurry

On October 23, 2010, in Biographies, by admin
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Steve McCurry is an American photographer who has traveled the world in search of stories to capture with his lens. He came to the forefront as a photojournalist with his coverage of the Soviet war in Afghanistan.

Steve McCurry was born on February 24, 1950. In 1968 he began studying film history, film making and cinematography at the Penn State University. But he ended with graduating in theater arts. It was in Penn State that he got into photography when he began taking pictures for the Penn State newspaper, The Daily Collegian.

McCurry began his photojournalism career with coverage of the Soviet war in Afghanistan. To capture the events, he disguised as a native Afghan and moved around with the rolls of films sewn into his clothes. These images were among the first of the images of the Soviet war. These were the pictures that drew the attention of the world towards the war. The Afghan Girl, probably the most well known photograph that people can associate Steve McCurry with, was shot on this assignment. It appeared on the cover of National Geographic Magazine and it has been named the most recognized photograph in the history of National Geographic.

The Afghan Girl was the photograph of Sharbat Gula, a girl in the Nasir Bagh refugee camp in Pakistan. She had to leave her village with her siblings after Soviet gun ships destroyed it. Though the picture was taken in 1984, it took 17 years to establish the identity of this girl and in 2002 McCurry with his National Geographic team traced her in a village in Afghanistan. After tackling many false claims, finally the right woman was identified by biometric technology.

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Steve McCurry covered a number of conflicts from the Iran-Iraq war, conflicts in Beirut, Cambodia and Phillipines and also the Gulf War apart from covering Afghanistan. McCurry is a regular contributor to the National Geographic magazine and currently he is with the well known photo agency, Magnum Photos. He has been awarded the Robert Capa Gold Medal for the best photographic reporting from abroad. He shoots both in digital medium and transparencies. Eastman Kodak gave McCurry to shoot with the last ever transparency roll the company has produced. They plan to finally keep the roll in the George Eastman House.

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On October 23, 2010, in Uncategorized, by admin
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Sebastiao Salgado

On October 22, 2010, in Biographies, by admin
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Sebastiao Salgado is a Brazilian photographer. He is well known for being a social documentary photographer and a photojournalist. He has won numerous prizes and Honorary Doctorates in his long journey as a photographer and is currently a UNICEF Goodwill Ambassador and an honorary member of the Academy of Arts and Sciences in USA.

Sebastiao Ribeiro Salgado was born in a small town called Almores in Brazil in 1944. After completing his first part of education he moved to live in Vitoria, a coastal town to complete his secondary education. In 1967 he graduated in Economics and became an economist in his early life. He completed his Master’s Degree in Sao Paolo and in 1969 he moved to Paris with his wife, Lelia, where he studied for doctorate while Lelia began her architectural studies. He then moved to London to work as an economist for the International Coffee Organization. For his work he often had to travel to Africa and during these travels he took photographs. Soon these photographs became his obsession and in 1973 he left his job and again moved to Paris to pursue photography full time.

In 1974, he began by working for the Sygma photographic agency and traveled to Angola, Portugal and Mozambique. He later joined Gamma photographic agency and took assignments to almost all of Africa, Europe and South America. In 1977, Salgado began his long photographic essay on the Indians and peasants of South America. In 1979 he joined Magnum Photos and stayed with them for fifteen years, the maximum time he spent with a single agency. Between 1984 and 1986 he worked on an 18 month project on the African Famine with the humanitarian organization, Doctors without Borders.

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Two of Salgado’s biggest works were on the industrial manual workers and the migrants to the cities for various causes. He traveled to 23 countries for his first work and to 43 countries for the second one. Both have been published as books and have been well received by the world. These images were also displayed as large scale exhibitions all around the world.

Sebatiao Salgado and his wife Lelia formed the Amazonia photo agency in 1994. They are also working on the conservation of the dwindling Atlantic Coastal forest in Brazil and have succeeded in reforesting a small portion of it.

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Endre Erno Freidmann, known popularly as Robert Capa is one of the most revered combat photographers of all times. He covered no less than five different wars, namely, the Spanish Civil war, the second Sino-Japanese war; Arab-Israeli war of 1948; first Indo-China war and not to mention the World War II in the entire Europe. His stunning images of the Normandy Invasion of 1944 are some of the best the world has ever seen.

Capa was born in Budapest, Hungary on October 22, 1913 and left home at 18 in the belief that there was no future under the then regime in Hungary. He wanted to become a writer but soon found himself doing photography in Berlin. As he was learning and loving the job he had to move to France due to rise of Nazism. But France was not an easy place and he tried hard to establish himself as a freelance journalist.  It is believed that he changed his name to Robert Capa at this time to make it sound American. Eventually, his first photograph was published and it was of Leon Trotsky making a speech in Copenhagen.

From 1936 to 1939 were the war years for Capa. He documented the Spanish Civil War and then later in 1938 he traveled to China to document the Chinese resistance to the Japanese Invasion. The Falling Soldier, one of the most famous and controversial photographs of Capa, was taken during the Spanish Civil War. With the start of the World War II, Capa, who had by then moved to New York, returned to the European soil as war photographer. His most famous work was documenting the Allied invasion of Normandy and he actually swam ashore with the Allied troops during the landing. In 1947 he traveled to the Soviet Union and photographed the post-war Russia.

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In 1947, Robert Capa, along with Henri Cartier-Bresson, David Seymour and others founded the Magnum Photos as a cooperative venture. It is one of the most prestigious photo agencies of the world today.

Capa documented the newly formed sate of Israel as well as the conflict it went through. He later went to Japan with a photographic exhibition and from there went to Southeast Asia to cover First Indo china War. While accompanying a French regiment on a mission, he died from a land mine explosion with his camera in his hand.

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Raghubir Singh

On October 20, 2010, in Biographies, by admin
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Raghubir Singh was an Indian photographer who portrayed India through his photographs of landscapes and people. This self taught photographer worked with National Geographic, The New Yorker, The New York Times and the Time.

Raghubir Singh was born in 1942 in an aristocratic Rajput family from Jaipur. He was inspired by Cartier-Bresson’s little known book Beautiful Jaipur and dropped out his first year at college to pursue photography. He shifted to Calcutta to join the tea industry like his brother, but soon realized that it was not his cup of tea. Meanwhile the streets of Calcutta inspired him further and for the next few years he went on photographing the city. He gradually blended into a circle of artists and this influenced his works.

In the mid 1960s, Raghubir Singh got his first major break with eight of his photographs on student unrest. Soon he landed several assignments with a number of leading magazines of the world. This was the time when he did assignments for National Geographic and The New York Times. He was also engaged by a number of British publications. In 1968 he watched Satyajit Ray shoot ‘Goopy Gayen Bagha Bayen’ (The Adventures of Goopy and Bagha) at Jaisalmer, Rajasthan. They shared the view of seeing the Indian subjects in a new way and it reflected in the works of both of them.

Raghubir Singh was one of the first to accept color as his medium and his inspiration from Mughal and Rajasthani miniature paintings helped him to handle it in the right way. This use of color also helped him to treat the colorful nature of India and its people. He was known for breaking up his frame into smaller parts and giving them autonomous identity without destroying the fabric of the whole frame.

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Raghubir Singh taught at the School of Visual Arts, New York; the Columbia University and the Cooper Union. His first book, Ganga: The Sacred River of India, published in 1974 was the result of his decade old documentation of the river Ganges. This book was an instant success and ran into a few editions, a rarity for photo books. He followed up this one with Calcutta, Rajasthan, Kashmir : Garden of Himalayas; Kerala: The Spice Coast of India and Benaras. Calcutta: Home and the Street and The Ganges and many more.

Raghubir Singh passed away in 1999.

Raghu Rai

On October 19, 2010, in Biographies, by admin
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Raghu Rai, the Indian photographer, has represented almost every vibrations of the pulse of India and that has brought him recognition from all the leading photo agencies of the world including Magnum Photos. He was on the jury of World Press Photo for 3 times and twice of the UNESCO International Photo Contest

Raghu Rai was born in 1942 in a small village called Jhhang which now falls in Pakistan. It is said that Raghu Rai became a photographer accidentally, when he followed a donkey for three hours and at the end shot a picture. This tenacity, in the later years, gave some of the most captivating photographs of India. Most of these are available in a number of books published in the later years.

Raghu Rai started off his photographic career in 1965 as a photographer with The Statesman, a daily newspaper based in Kolkata and New Delhi. After working there for some time, he left it to become the photographic editor of Sunday, a weekly news magazine that was published from Kolkata at that time. From 1980 onwards, Raghu Rai worked with India Today, one of the leading news magazines of India, as Picture Editor, Visualizer and Photographer. He was instrumental in bringing out special issues where some of his best photographic essays were published. The topics touched cultural, political as well as social themes. The pictures often talked a lot more than the words and often these became the talking point of the magazine.

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In the meantime he continued his work as a street photographer, a genre started by the legendary Henri Cartier-Bresson. It was Cartier-Bresson who, being impressed with Rai’s photographs in a show in Paris, nominated Rai to the Magnum Photos. Since then his association with Magnum has strengthened and he is still a regular at the Magnum. His photographs have been published in all the leading magazines of the world like Time, The New York Times, GEO, Life, Newsweek, The Independent and the New Yorker.

His work on the Bhopal Gas Leak Tragedy has moved the world. He landed in Bhopal just hours after the tragedy and began clicking the horror that had struck hundreds and hundreds of innocent people of the city. He went on to make an in depth documentation of the situation on behalf of Greenpeace. This work of his is touring the world since 2004.

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Paul Strand

On October 18, 2010, in Biographies, by admin
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Paul Strand is one of the pioneers of establishing photography as an art form. This American photographer was also a film maker and his wide area of activities enriched the art world over six decades. His photographic journeys took him all across America, to Europe and also to Africa.

Paul Strand was born in New York City and took to photography from the late teens. He was a student of Lewis Hine and studied at the Ethical Culture Fieldston School. During a field trip to 291 art gallery, he came across the works of modernist photographers and painters and that further contributed to his love for photography. This gallery, 291, was operated by Stieglitz and Edward Steichen and it later displayed and promoted Paul Strand’s work. Stieglitz also promoted Strand in Camera Work, his publication and also in his artworks.

Strand experimented with the new genre of photography and focused on abstractions as is evident in his work, Wall Street, and this influenced Edward Hooper. Strand took camera as a tool to induce social reform. He, along with others founded the Photo League, a co-operative of amateur and professional photographers. It included Ralph Steiner, Morris Engel and had the support of legends like, Margaret Burke White, W, Eugene Smith, Ansel Adams and Edward Weston among others.

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Paul Strand took to film making for sometime and his first film was Manhattan made in 1921. For the next two decades he carried out the two jobs of photography and film making simultaneously. In 1949 he traveled to Czechoslovakia with his film Native Land and spent the remaining days in France. His creation continued and he returned to his first passion, photography. He produced some of his most remarkable photographs at this point of time. His significant works are the six ‘portraits of places’ featuring New England, France, Luzzara and Po river valleys in Italy, Outer Hebrides, Egypt and Ghana.

Strand was not only engrossed in his photography but was sympathetic to the Communists and insisted that his prints were made in Leipzig, East Germany. This prohibited the prints from being published in America at that time for Communist inclination of East Germany.